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valerieandherweekofwonderz:
Marie Horáková as Princess Růženka in Jak se budí princezny (1977) dir. by Václav Vorlíček.
(via angel-bruises)
cassettefuturism87:
Edenfall I
asbestosfulloflove:
Constant Shallowness Leads to Evil - Synthetic Motor Oil, Oil on Canvas - 120 x 90cm
(via lilja4everr)
modelsof-color:
Devon Aoki by Paolo Roversi for Número France Magazine March 1999
(via y2kmagazines)
heavenly—bodies:
Mariko Mori-Play with Me, 1994-Subway, 1994-The Last Departure, 1996I respond extremely positively to Moriko Mori’s work. It is both playful and dark, and her futuristic imagery really draws me in. I like the idea of the artist becoming a character and playing a role for the camera, especially in this way.
Mariko Mori
-Play with Me, 1994
-Subway, 1994
-The Last Departure, 1996
I respond extremely positively to Moriko Mori’s work. It is both playful and dark, and her futuristic imagery really draws me in. I like the idea of the artist becoming a character and playing a role for the camera, especially in this way.
waneella:
Message2021From Patreon archive
Message
2021
From Patreon archive
(via pixelpulse)
sesiondemadrugada:
The Stendhal Syndrome (Dario Argento, 1996).
(via mal-adolescenza)
oxane:
Me pierdo en lo oscuro / Me pierdo en lo claronametor(Dulce María Loynaz) Marina Bruno, bailarina. Museo Reina Sofia
Me pierdo en lo oscuro / Me pierdo en lo claro
nametor
(Dulce María Loynaz) Marina Bruno, bailarina. Museo Reina Sofia
(via mementomoriiv)
